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  • 两座龙王庙,以及消逝的东湖
  • 蛇之曲线
  • 有人夜半持山去
  • 民间地震观测小史
  • 无法建模
  • 走廊的抵达与不可抵达
  • 抗战中国的漫画展览
  • 触摸、疾病与圣物
  • 潘涛阮,三月和八月的梦
    郝敬班,从南湖公园到红旗街
  • Itsuko Hasegawa, House in Midorigaoka, 1970, sketches.
    Nina Canell, Muscle Memory, 2022
  • Ahmet Ögüt, Strategic Diagram for Non-hierarchical Participatory Radical Democracy, 2011–2012. Photo: Kristof Vrancken
    The mind map of Bishan Project by Ou Ning for the exhibition “Art and China after 1989: Theater of the World,” Guggenheim Museum, 2017-2018. Designed by Xiaoma + Chengzi, 2017
  • https://www-jstor-org.libproxy.mit.edu/stable/pdf/10.1086/655210.pdf?

    Gian Lorenzo Bernini, Apollo and Daphne, 1623

    “Invisible Little Worms”

  • Orville Cline, Shaker Visionary Image,1942
    Rebecca Landon, Mother’s Banner of Love and Comfort, 1845

    Proportional Drawing by Colnaghi Foundation

  • Jishin-no-ben, a map showing damage from earthquakes to Japan from 1854-1855 and explains their origins by the giant dragon (1855) (19th Century, Asia, Japan)

    Cornish Pasty

  • Derek Overfield, Odysseus at the mast, latex paint on canvas, 36 x 72″, 2020
  • 没有生命、仅存石头的一重宇宙,来源:《瞬息全宇宙》

    泡利不相容定律

    The Lovers II, 1928 by Rene Magritte
    “On the Point of Departure,” Jean-Luc Nancy, Noli Me Tangere: On the Raising of the Body, p.11
  • Lam Tung Pang, Wandering in Potted Landscape, 2019
  • 柯布西耶,《走向新建筑》首版封面
    Lina Bo Bardi, Arquitectura Viva Museum of Art of São Paulo, São Paulo
    Haus-Rucker-Co, Günter Zamp Kelp, Laurids Ortner, Manfred Ortner, Klaus Pinter Palmtree Island (Oasis) Project, New York, New York, 1971
    Yin Xiuzhen. Portable City. Jia Yu Guan. 2008
    Do Ho Suh: Passages, 2017
  • Home Sweet Home Feng Shui Painting, Metal 2 by Mak Ying Tung
    广岛原子弹爆炸在石阶上留下了一个死难者的身影
  • Damish Cloud Book

    Study of Clouds Book

  • 漫画“危险的道路”,“坚决肃清胡风反革命集团和一切暗藏的反革命分子”

    http://www.columbia.edu/cu/lweb/digital/collections/cul/texts/ldpd_5949079_000/ldpd_5949079_000.pdf

    橘正紀,東京地震8.0,2009
  • Ai Weiwei. Straight. 2008-2012. steel reinforcing bars 600-x-1200-cm Hirshhorn Museum in Washington D.C
    Gottfried Semper, The Duke of Wellington’s Funeral Car, 1852
  • https://twitter.com/ani_obsessive/status/1274303684252504065

  • https://www.youtube.com/watch?v=8PhiSSnaUKk&t=194s&ab_channel=AbdulsalamAlbakri

    Vito Acconci, Seedbed, 1972, Sonnabend Gallery, New York. Photo: Ealan Wingate and Bernadette Mayer

    Javelin Argument

  • 李珞电影《唐皇游地府》剧照
    子杰,实景真人 RPG 游戏《东湖飘渺录》
    喬治‧馬凱,《自己幹文化:派對与革命》,破週報出版社出版,2008年(2012修订版)
    《素人之乱》松本哉分享会豆瓣同城活动海报,2009年11月4日于武汉
    《河流和我的父亲》 武汉放映会豆瓣同城活动海报,2010年06月05日
  • 威廉·荷加斯《美的分析》扉页
    Piero della Francesca’s Archimedes, Biblioteca Riccardiana, Florence
    Ioannis Keppleri Harmonices mundi libri V
    Alchemiehandbuch des Appenzeller Wundarztes Ulrich Ruosch
  • 黄庭坚 “南崖新妇石”

    海杜克说建筑是关于“接近”的(approximation)

    《启蒙辩证法》说得没错,奥德修斯真是现代人的古老原型,在风神的恩惠中物化自然,在塞壬的诱惑里物化自己。
    “风可以是坐在Costco货架上的大桶薯片,随手挑拣喜欢的口味放进购物车的车筐”
  • 毛泽东时代地震群测群防的群像:“地震工作要以预防为主,大打人民战争”
    据说是“历史上唯一一次成功预测的大地震:1975 中国海城大地震”
    John Ruskin, The Storm-Cloud of the Nineteenth Century, 1884
    “1976 年松潘地震后,《地震战线》杂志刊登了一些当地的震前离奇现象照片”
  • Piero, proiezioni di una testa scorciata dal de prospectiva pingendi, ante 1482, milano, biblioteca ambrosiana
    Paolo Uccello, Studio di Vaso in Prospettiva
    由亚力克斯·嘉兰(Alex Garland)指导的《湮灭》中对曼德博球的运用
  • 福绥境大楼疏散图
    故宫长春宫《红楼梦》通景画“金兰黛钗”
    Narkomfin in Moscow by Moisei Ginzburg, 1930
  • 桂东南某街头漫画展览,《耕耘》,1940 年
    张乐平《惟有军民合作,才能消灭敌人》
    上世纪30年代末,抗日漫画宣传队队员在街头向民众宣传抗日
    1938年,张乐平在武汉黄鹤矶头绘制巨幅宣传壁画《抗战到底》
    1937 年 9 月 20 日《救亡漫画》创刊号封面漫画《全民抗战的巨浪》
  • 位于 Mergozzo 的康多怡亚⼤理⽯(米兰大教堂外立面主要材料)采市场
    Nicola Sanesi, Illustration in the Paolo Carrara edition of I Promessi Sposi, Chapter 32, 1890

    Nancy book

    Gian Lorenzo Bernini, “Crocifisso” (1655-1656) , 右手局部. El Escorial, Monastero di San Lorenzo, Cappella del Collegio
    Albrecht Dürer, The Doubting Thomas, from The Small Passion, c.1510
    Fra Angelico, Noli me tangere, 1438
  • Vol. 1

在文章页面,《切线》的读者可以通过添加超链接与文章内容相切,链接的另一头可以是一本书、一张图片、一个视频等。排版后的文章仿佛塞满文件夹的档案馆纸箱,如诗地将这些切片存档在字里行间。

在切空间中,上述容器被打翻,再由关切的手一件件挂在图板上。文章的内容碎片与读者留下的时空之门横向并置;而穿梭于行与行之间的项目,完成了对单一引力的逃逸,以漂浮或被捕获的方式建立起两行之间的联系。半个世纪前的某个清晨,在夏威夷瓦基基岛的天空中,S-IVB 火箭第二次点火:阿波罗 8 号完成地月转移,飞向月球。

On the Essays page, the reader “touches” the text by attaching hyperlinks of a book, an image, a video, etc. The formatted article is like an archival box full of folders, metrically documenting these “tangents” between the lines.

In the Tangent Space, the “boxes” are knocked over and carefully reorchestrated as a dynamic “atlas.” The visual and textual fragments from the essays are juxtaposed horizontally with links left by readers. The item that travels vertically escapes from the gravity of its row’s definition. Either as a floating agent or as a recaptured satellite, it establishes contact between two rows. Half a century ago, in the predawn sky south of Waikiki, Hawaiian Islands, the S-IVB rocket ignited for the second time: Apollo 8 completed its trans-lunar injection and travelled to the Moon.